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Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)

 Person

Dates

  • Existence: 1875 - 1940

Biography

Donald Francis Tovey was born at Eton on 17 July 1875. His father was an Assistant Master at Eton College. He was educated privately by the music and general teacher Miss Sophie Weisse (1851-1945) and later on studied under Sir Walter Parratt (1841-1924) and Sir C. H. Parry (1848-1918). Tovey then won a music scholarship to Balliol College, Oxford, graduating with a BA, Classical honours, in 1898. As a pianist, a series of chamber music concerts followed in London, Berlin and Vienna where he played with Halle, Joachim, Hausmann, Casals, and other artists. He also composed. In 1914 he was appointed to the Reid Chair of Music at Edinburgh University in succession to Professor Niecks (1845-1924). As Professor he broadened the music curriculum by instituting classes in musical interpretation, orchestration, history and analysis, thorough-bass, score reading, and advanced counter-point and composition. Tovey also established and conducted the Reid Orchestra and organised an annual series of concerts. His musical compositions were in many forms including chamber music, symphony, grand opera and concerto, and probably the most famous was his opera The bride of Dionysus produced in Edinburgh in 1929. His literary publications include the six volumes of Essays in musical analysis (1935-1939), and A musician talks (1941). Tovey was knighted in 1935. Sir Donald Francis Tovey died on 10 July 1940.

Found in 200 Collections and/or Records:

Letter to Sir Donald Francis Tovey from Maud Foulds, 30 April 1930

 Item
Identifier: Coll-411/1/1/L1140
Scope and Contents

Letter, 30 April 1930, London, Maud Foulds to Donald Tovey. Thanking Tovey for a letter of advice, outlining the problems in the production of Foulds 'Requiem' in London, and imploring Tovey to come to London to play the piece with Foulds. Holograph signed.

Dates: 30 April 1930

Letter to Sir Donald Francis Tovey from Maud MacCarthy, 16 February 1923

 Item
Identifier: Coll-411/1/1/L1368
Scope and Contents

Letter, 16 February 1923, London, Maud MacCarthy to Donald Tovey. Request that Tovey write something praiseworthy in support of Foulds 'Requiem' to help raise funds to perform the work at 'The Queens Hall '. Dictated.

Dates: 16 February 1923

Letter to Sir Donald Francis Tovey from Maurice Baring, 08 October 1936

 Item
Identifier: Coll-411/1/1/L743
Scope and Contents

Letter, 8 October 1936, Rottingdean, Maurice baring to Donald Tovey. Informing Tovey that Baring is delighted with Tovey's song and question about Tovey's stage directions. Holograph signed.

Dates: 08 October 1936

Letter to Sir Donald Francis Tovey from Maurice Baring, 26 October 1936

 Item
Identifier: Coll-411/1/1/L744
Scope and Contents

Letter, 26 October 1936, Rottingdean, Maurice Baring to Donald Tovey. Thanking Tovey for putting a tune to song words and comparing it to Baring's own tune for the same song. Typescript signed.

Dates: 26 October 1936

Letter to Sir Donald Francis Tovey from Norman Stone, 13 May 1936

 Item
Identifier: Coll-411/1/1/L1718
Scope and Contents

Letter, 13 May 1936, London, Norman Stone to Donald Tovey. Thanking Tovey for sending vocal parts. Holograph signed.

Dates: 13 May 1936

Letter to Sir Donald Francis Tovey from P. Kimman, 18 February 1924

 Item
Identifier: Coll-411/1/1/L1336
Scope and Contents

Letter, 18 February 1924, Edinburgh, P. Kimman to Donald Tovey. Praising Tovey and discussing his influence on music, asking for Tovey's help with a composition for cello. Holograph signed.

Dates: 18 February 1924

Letter to Sir Donald Francis Tovey from Pablo Casals, 24 November 1936

 Item
Identifier: Coll-411/1/1/L1001
Scope and Contents

Letter, 24 November 1936, London, Pablo Casals to Donald Tovey. Discussing a recording of Tovey's concerto by 'The gramophone company'. Holograph signed.

Dates: 24 November 1936

Letter to Sir Donald Francis Tovey from Pablo Casals, 25 January 1937

 Item
Identifier: Coll-411/1/1/L1003
Scope and Contents

Letter, 25 January 1937, Pablo Casals to Donald Tovey. Note concerning the fingering, and bow strokes for Tovey's concerto. Holograph signed.

Dates: 25 January 1937

Letter to Sir Donald Francis Tovey from Pablo Casals, 08 May 1925

 Item
Identifier: Coll-411/1/1/L856
Scope and Contents

Letter, 8 May 1925, Barcelona, Pablo Casals to Donald Tovey. Praising Tovey's written work, especially the preface, for piano, outlining forthcoming concerts in Barcelona and a hope that Casals may be able to play Tovey's concerto in the Autumn. Holograph signed.

Dates: 08 May 1925

Letter to Sir Donald Francis Tovey from Pablo Casals, 08 October 1933

 Item
Identifier: Coll-411/1/1/L875
Scope and Contents

Letter, 8 October 1933, Barcelona, Pablo Casals to Donald Tovey. Discussion of Tovey's concerto and the technique and effort required to master it. Holograph signed.

Dates: 08 October 1933