Weisse, Sophie, 1852-1945 (Scottish music teacher)
Dates
- Existence: 1852 - 1945
Biography
Sophie Weisse was born in Edinburgh in 1852 to a German father and Lithuanian mother. Little is known of her early life and education. In 1892, she founded the all-girls school of Northlands in Surrey, which she ran for twenty-five years. Although Northlands was a school of general education, music was given a particularly prominent place in the curriculum, and musical celebrities were often invited to visit and perform. Weisse employed the young Donald Tovey as a pianist at the school’s concerts, which provided a launch for his career as a musician and composer. Weisse had discovered Tovey’s talent at the age of four and had managed all aspects of his education. She further supported his career by funding the publication of his works between 1903 and 1913. Weisse and Tovey maintained a lifelong relationship. When Tovey was appointed to Edinburgh University’s Reid Chair of Music in 1914, Weisse followed him to Edinburgh. As Reid Professor, Tovey bestowed on Weisse an honorary degree of Doctor of Music in 1936. Weisse died in Guildford in 1945.
Weisse was a major benefactor of the University of Edinburgh. On Tovey’s death in 1941, she gifted 18 Buccleuch Place to the University as 'The Tovey Memorial Rooms', with the intention that it be used for student study. She also gifted the University portraits of Tovey and herself by Philip de Laszlo and endowed the Tovey Memorial Prize as an annual award for the most promising undergraduate composer or performer in the Faculty of Music. Her collection of around 600 books and scores relating to Beethoven was purchased by the University in 1948.
Found in 155 Collections and/or Records:
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1899
Letter, [1899], Donald Tovey to Sophie Weisse. Explaining why Tovey had not written to Miss. Weisse sooner and concern over the issue of an analytical programme for Bach concerts. Holograph signed in pencil.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1899
Letter, [1899], London, Donald Tovey to Sophie Weisse. Description of study at the British Library, piano fingering technique and programme notes. Holograph signed, with annotations in pencil on first leaf.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1899
Letter, [1899], London, Donald Tovey to Sophie Weisse. A description of Joachim's evaluation of Tovey's compositions. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, 26 March 1899
Letter, 26 March 1899, Donald Tovey to Sophie Weisse. Explaining a correspondence with Joachim, and discussion of Tovey's concerto. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1899
Letter, [1899], Donald Tovey to Sophie Weisse. Description of Tovey's current composition's, discussion of rhythm in Beethoven's 4th symphony. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1899
Letter, [1899], Donald Tovey to Sophie Weisse. Analysis of the playing, rhythm and performance of ' The Bohemians '. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, 05 January 1898
Letter, 5 January 1898, Donald Tovey to Sophie Weisse. Christmas wishes, praise of a concerto by Joachim and a discussion of the progress of Tovey's composition. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1901
Letter, [1901], Arran, Donald Tovey to Sophie Weisse. Details of Tovey's variations at the end of a piano quartet and notes on his composition. Holograph signed.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1902
Letter, [1902], Berlin, Donald Tovey to Sophie Weisse. Description of Tovey's time in Germany, comparison of English and German manners, outlining Joachim's criticism of his composition . Holograph signed, with stamped envelope.
Letter to Sophie Weisse from Sir Donald Francis Tovey, c1902
Letter, [1902], Berlin, Donald Tovey to Sophie Weisse. Description of Tovey's time in Germany, comparison of English and German manners, outlining Joachim's criticism of his composition . Typescript copy, incomplete.
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