Letter, 2 April 1937, Mainz, Willy Strecker to Donald Tovey. Planning to visit Tovey in London, thanking him for a birthday composition for his father, discussing a forthcoming book on Hindemith. Typescript signed.

Letter, 3 July 1937, Mainz, Willy Strecker to Donald Tovey. Enclosing Hindemith's book, informing Tovey that the translation is almost complete and asking Tovey's opinion of the work. Typescript signed.

Letter, 21 July 1937, Mainz, Willy Strecker to Donald Tovey. Discussing Hindemith's book of music teaching and Tovey's planned meeting with it's American translator, Remi Gassmann also mentions the publication of Tovey's compositions. Typescript signed.

Letter, 27 July 1937, Mainz, Willy Strecker to Donald Tovey. Discussing Hindemith's book on music theory and Tovey's help with Grassmann's translation. Typescript signed.

Letter, 3 February 1938, Mainz, Willy Strecker to Donald Tovey. Praising Tovey's courage in writing to the Times concerning the performance and publication of Schumann's last work. Typescript signed.

Letter, 28 June 1910, London, William Strecker to Sophie Weisse. Thanking Miss. Weisse for sending tickets, agreeing to attend Tovey's birthday celebrations and commenting on Percy Such. Holograph signed.

Letter, 11 November 1910, London, William Strecker to Sophie Weisse. Concerning the translation, printing and imprint of singing books. Typescript signed.

Letter, 30 January 1911, London, William Strecker to Sophie Weisse. Informing Miss. Weisse that Tovey has the parts of his concerto, and discussing publication. Typescript signed.

Letter, 22 February 1911, London, William Strecker to Sophie Weisse. Suggesting that Tovey approach Lord Plymouth and praising a concerto. Typescript signed.

Letter, 25 October 1911, London, William Strecker to Sophie Weisse. Informing Miss. Weisse of the cheapest estimate for engraving and printing Tovey's Sonata and quintette, and discussing their publication to coincide with performance. Typescript signed.