Letter, [n.d], London, Maud MacCarthy to John Foulds. Discussing the possibility of performing Foulds' work. Holograph signed, incomplete, see also Maud Foulds.

Letter, 23 November 1930, London, John Foulds to Donald Tovey. Asking Tovey to look over Foulds new compositions. Holograph signed, with advertisement for 'Music today' by John Foulds, [2]p. 19 x 13cm, printed on light blue paper.

Letter, [n.d], London, Maud Foulds to Donald Tovey. Request to hear Tovey's opera. Holograph signed, author born Maud MacCarthy.

Letter, 30 April 1930, London, Maud Foulds to Donald Tovey. Thanking Tovey for a letter of advice, outlining the problems in the production of Foulds 'Requiem' in London, and imploring Tovey to come to London to play the piece with Foulds. Holograph signed.

Letter, [n.d], London, Maud Foulds to Donald Tovey. Inviting Tovey to London for the production of Foulds 'Requiem', suggesting Tovey and Foulds play the Requiem for Lord Howard de Walden. Holograph signed.

Letter, [n.d], London, Maud MacCarthy to Donald Tovey. Thanking Tovey for an enjoyable performance. Holograph signed, see also Maud Foulds (Maud McCarty's married name).

Letter, 16 February 1923, London, Maud MacCarthy to Donald Tovey. Request that Tovey write something praiseworthy in support of Foulds 'Requiem' to help raise funds to perform the work at 'The Queens Hall '. Dictated.

Letter, [n.d], Woking, Betty Balfour to Sophie Weisse. Arranging a party for Joachim, discussion of the concerts at Fisher Hill and criticism of Tovey's playing. Holograph signed.

Letter, 13 March [n.y], London, Maud MacCarthy to Sophie Weisse. Informing Miss. Weisse that MacCarthy will come to Northlands to work with Tovey. Holograph signed, see also, Mrs. Maud Foulds.