Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Regretfully informing Trevelyan that Ricketts is too busy to design scenery for Trevelyan's play. Holograph signed.

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Suggesting that Trevelyan should keep hold of the sets and scenery for a production of the opera at Manchester and not donate the sets to the opera company. Holograph signed.

Letter, 25 February 1929, Edinburgh, Charles Guthrie to Robert Trevelyan. Enclosing a letter from Charles Ricketts, and discussing the agreement over ' The Bride of Dionysus' . Typescript signed.

Letter, 26 March 1929, Edinburgh, Charles Guthrie to Robert Trevelyan. Discussion of the wigs, beards and moustaches ordered by Charles Ricketts for the production of 'The Bride of Dionysus'. Holograph signed.

Letter, 15 March 1929, London, W. Clarkson To [ Donald Tovey and R. C. Trevelyan]. Concerning the price of wig hire for the ' Bride of Dionysus'. Typescript signed.

Letter, 5 April 1929, Edinburgh, A. C. Jack for Wallace & Guthrie to Donald Tovey. Discussion of the cost of beards, wigs and moustaches for ' The Bride of Dionysus'. Typescript signed.

Letter, [n.d], London, Charles Ricketts to Donald Tovey. Details of a meeting with Hedmount who disliked plans for scenery, and news that Ricketts is looking after an ill friend. Holograph signed.

Letter, [n.d], London, Charles Ricketts to Donald Tovey. Details of the progress of the scenery and costumes for the Bride of Dionysus. Holograph signed.

Letter, [21 April 1929], London, Charles Ricketts to Donald Tovey. Wishing Tovey and Trevelyan success and news of some improvement in Rickett's friend Shannon. Holograph signed.

Postcard, [n.d] London, Charles Ricketts to Robert Trevelyan. Advising Trevelyan on the staging of the opera, suggesting that Tovey and Hedmount should be more economical. Holograph signed.