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Laing, David, 1793-1878 (antiquarian, bookseller, and librarian of the Signet Library)

 Person

Biography

David Laing, eminent historian, antiquary and bibliographer, was the second son of the Edinburgh bookseller William Laing (1764-1832) and his wife Helen Kirk, and was born on 20 April 1793. He was educated at the Canongate Grammar School and later on attended Greek classes at the University of Edinburgh. At the age of fourteen, he became apprenticed to his father who, at the time, was the only bookseller in Edinburgh dealing in foreign literature. Laing was able, occasionally, to travel abroad in search of rare or curious books. In 1821, he became a partner in his father's business and throughout his life he was an avid collector of manuscripts and rescued many from destruction. The first published work of his own was Auctarium Bibliothecae Edinburgenae sive Catalogus Librorum quos Gulielmus Drummondus ab Hawthornden D.D.Q. Anno 1627 (1815). Among other works, Laing also reprinted Thomas Craig's Epithalamium on the marriage of Darnley and Mary Stuart (1821). When Sir Walter Scott founded the Bannatyne Club in 1823 for the printing of material and tracts relating to Scottish history and literature, Laing - a friend of Scott's - became Secretary of the Club and chief organiser until its dissolution in the 1860s. Laing was also associated with the Abbotsford Club, the Spalding Club, and the Wodrow Society, each of which had been set up for the publication of manuscripts and for the revival of old texts. When the keepership of the Advocates' Library fell vacant in 1818, Laing was a candidate but was not elected. He became Keeper of the Library to the Society of Writers to Her Majesty's Signet, a post which he occupied from 1837 until his death. On his appointment to the post, he gave up his business as a bookseller and disposed of the stock in a public sale. Laing died at Portobello, in Edinburgh, on 18 October 1878.

Found in 4 Collections and/or Records:

La.III.75: Esther Inglis, "A Treatise of Preparation to the Holy Supper and of our only Saviour and Redeemer Jesus Christ", 1608 (dated)

 Item
Identifier: La.III.75
Scope and Contents The manuscript contains a prose religious treatise, copied by Esther Inglis as a gift for Sir David Murray of Gorthy (1567-1629), her friend and companion to the Prince Henry. Sir David Murray was the recipient of three of Inglis’ manuscripts, with this being the first; the others are a Book of Psalms prepared in 1612 (now Wormsley Library, Oxfordshire, BM 1851), and a miniature illuminated manuscript of the Quatrains of Guy du Faur (now British Library, MS...
Dates: 1608 (dated)

La.III.439: Esther Inglis, "Les Quatrains du Sieur de Pybrac", 1607 (dated)

 Item
Identifier: La.III.439
Scope and Contents This manuscript contains the popular religious and moral Quatrains written by Guy du Faur, Seigneur de Pybrac. This calligraphic copy of the Quatrains was produced by Esther Inglis as a gift for the New Year ("pour ses estrennes"), offered to Robert Cecil (1563-1612), 1st Earl of Salisbury. It is one of Esther Inglis’ floral, illuminated manuscripts, which she produces between 1600 and 1608. Within her corpus of...
Dates: 1607 (dated)
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La.III.440: Esther Inglis, "Livret traittant de la grandeur de Dieu et de la cognoissance qu’on peut avoir de luy par ses oeuvres", 1592

 Item
Identifier: La.III.440
Scope and Contents This manuscript is a decorative copy of Pierre Du Val’s De la grandeur de Dieu et de la cognoissance qu’on peut avoir de luy par ses oeuvres, first published at Paris in 1553. Written by Esther Inglis in 1592, when she was around 22 years old, it forms part of a group of manuscripts produced between 1586 and 1592 which show her early experiments calligraphy and print imitation. The other manuscripts in this group are now British Library, MS Sloane 987 (...
Dates: 1592
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La.III.522: Specimens of calligraphic styles of writing, 1570-1624 (approximate)

 Item
Identifier: La.III.522
Scope and Contents MS La.III.522 is a composite manuscript of late-sixteenth and/or early-seventeenth century pieces of calligraphy, assembled by a later collector. The bulk of the manuscript is a combination of two different calligraphic alphabets with sample-texts, which follow the aspect and structure of early-modern writing-books. One of these decorative alphabets is composed of gothic, knotwork intials, while the other is structured by Roman capital letters against backgrounds of delicate, swirling vines....
Dates: 1570-1624 (approximate)