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Opera | The Bride of Dionysus

 Subject
Subject Source: Local sources
Scope Note: Created For = Tovey

Found in 121 Collections and/or Records:

Letter to Robert Calverley Trevelyan from Alick Johnstone, 23 March 1929

 Item
Identifier: Coll-411/1/1/L2265
Scope and Contents

Letter, 23 March 1929, London, Alick Johnstone to Robert Trevelyan. Requesting a cheque and informing Trevelyan that Ricketts is satisfied with the work being done. Holograph signed.

Dates: 23 March 1929

Letter to Robert Calverley Trevelyan from Alick Johnstone, 05 May 1932

 Item
Identifier: Coll-411/1/1/L2266
Scope and Contents

Letter, 5 May 1932, London, Alick Johnstone to Robert Trevelyan. Thanking Trevelyan for a letter and cheque, and comments on what to do with drawings and plans. Holograph signed.

Dates: 05 May 1932

Letter to Robert Calverley Trevelyan from B. J. Simmons Co., 14 October 1939

 Item
Identifier: Coll-411/1/1/L2457
Scope and Contents

Letter, 14 October 1939, London, B. J. Simmons & Co to Robert Trevelyan. Concerning the storage and ownership of the costumes for ' The Bride of Dionysus'. Typescript copy.

Dates: 14 October 1939

Letter to Robert Calverley Trevelyan from Charel Guthrie, 24 May 1929

 Item
Identifier: Coll-411/1/1/L2192
Scope and Contents

Letter, 24 May 1929, Edinburgh, Charles Guthrie to Robert Trevelyan. Concerning the finances of ' The Bride of Dionysus'. Typescript signed.

Dates: 24 May 1929

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2414
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Enclosing estimates for props, and plans to arrange a meeting. Holograph signed.

Dates: c1932

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2415
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Discussing the possibilities for scenery that ' The Ariadne ' produces, discussing Ricketts fee for designing scenes, and a comment on the quality of drama in the writing, inviting Tovey to dinner in a post script. Holograph signed.

Dates: c1932

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2416
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Discussion of materials for the models , and informing Trevelyan that Ricketts assistant Johnstone is coming to Edinburgh and an estimate for the cost of work on the props and models. Holograph signed.

Dates: c1932

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2417
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Expressing pleasure that the opera has met with interest and success, hoping that the opera will be put on in Manchester and praise from Johnstone. Holograph signed.

Dates: c1932

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2418
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Regretfully informing Trevelyan that Ricketts is too busy to design scenery for Trevelyan's play. Holograph signed.

Dates: c1932

Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932

 Item
Identifier: Coll-411/1/1/L2419
Scope and Contents

Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Suggesting that Trevelyan should keep hold of the sets and scenery for a production of the opera at Manchester and not donate the sets to the opera company. Holograph signed.

Dates: c1932