Opera | The Bride of Dionysus
Found in 121 Collections and/or Records:
Letter to Robert Calverley Trevelyan from Alick Johnstone, 23 March 1929
Letter, 23 March 1929, London, Alick Johnstone to Robert Trevelyan. Requesting a cheque and informing Trevelyan that Ricketts is satisfied with the work being done. Holograph signed.
Letter to Robert Calverley Trevelyan from Alick Johnstone, 05 May 1932
Letter, 5 May 1932, London, Alick Johnstone to Robert Trevelyan. Thanking Trevelyan for a letter and cheque, and comments on what to do with drawings and plans. Holograph signed.
Letter to Robert Calverley Trevelyan from B. J. Simmons Co., 14 October 1939
Letter, 14 October 1939, London, B. J. Simmons & Co to Robert Trevelyan. Concerning the storage and ownership of the costumes for ' The Bride of Dionysus'. Typescript copy.
Letter to Robert Calverley Trevelyan from Charel Guthrie, 24 May 1929
Letter, 24 May 1929, Edinburgh, Charles Guthrie to Robert Trevelyan. Concerning the finances of ' The Bride of Dionysus'. Typescript signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Enclosing estimates for props, and plans to arrange a meeting. Holograph signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Discussing the possibilities for scenery that ' The Ariadne ' produces, discussing Ricketts fee for designing scenes, and a comment on the quality of drama in the writing, inviting Tovey to dinner in a post script. Holograph signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Discussion of materials for the models , and informing Trevelyan that Ricketts assistant Johnstone is coming to Edinburgh and an estimate for the cost of work on the props and models. Holograph signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Expressing pleasure that the opera has met with interest and success, hoping that the opera will be put on in Manchester and praise from Johnstone. Holograph signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Regretfully informing Trevelyan that Ricketts is too busy to design scenery for Trevelyan's play. Holograph signed.
Letter to Robert Calverley Trevelyan from Charles de Sousy Ricketts, c1932
Letter, [n.d], London, Charles Ricketts to Robert Trevelyan. Suggesting that Trevelyan should keep hold of the sets and scenery for a production of the opera at Manchester and not donate the sets to the opera company. Holograph signed.