Letter, 7 February 1913, London, William Strecker to Robin Legge. Asking for Legge's patronage of Tovey and praising the composer, suggesting there is no living composer who has written and is likely to write Chamber Music like Tovey. Typescript, first page of L2488.

Letter, 27 October 1911, London, Willy Strecker to Donald Tovey. Inviting Tovey for an interview. Typescript signed, on back of letter transcript of a letter from Sir Hubert Parry to Miss Weisse, 1896 Nov 30, by Miss. Weisse.

Letter, 10 May 1921, London, Willy Strecker to Donald Tovey. Arranging a meeting with Tovey. Holograph signed.

Letter, 28 June 1910, London, William Strecker to Sophie Weisse. Thanking Miss. Weisse for sending tickets, agreeing to attend Tovey's birthday celebrations and commenting on Percy Such. Holograph signed.

Letter, 11 November 1910, London, William Strecker to Sophie Weisse. Concerning the translation, printing and imprint of singing books. Typescript signed.

Letter, 30 January 1911, London, William Strecker to Sophie Weisse. Informing Miss. Weisse that Tovey has the parts of his concerto, and discussing publication. Typescript signed.

Letter, 22 February 1911, London, William Strecker to Sophie Weisse. Suggesting that Tovey approach Lord Plymouth and praising a concerto. Typescript signed.

Letter, 25 October 1911, London, William Strecker to Sophie Weisse. Informing Miss. Weisse of the cheapest estimate for engraving and printing Tovey's Sonata and quintette, and discussing their publication to coincide with performance. Typescript signed.

Letter, 9 January 1912, London, William Strecker to Sophie Weisse. Details of dates the Aeolian Hall is available, and regards to Tovey. Typescript signed.

Letter, 30 January 1912, William Strecker to Sophie Weisse. Enclosing a letter that reveals ' the facts' that explain a situation that may have hurt Tovey. Typescript signed.