Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)
Dates
- Existence: 1875 - 1940
Biography
Donald Francis Tovey was born at Eton on 17 July 1875. His father was an Assistant Master at Eton College. He was educated privately by the music and general teacher Miss Sophie Weisse (1851-1945) and later on studied under Sir Walter Parratt (1841-1924) and Sir C. H. Parry (1848-1918). Tovey then won a music scholarship to Balliol College, Oxford, graduating with a BA, Classical honours, in 1898. As a pianist, a series of chamber music concerts followed in London, Berlin and Vienna where he played with Halle, Joachim, Hausmann, Casals, and other artists. He also composed. In 1914 he was appointed to the Reid Chair of Music at Edinburgh University in succession to Professor Niecks (1845-1924). As Professor he broadened the music curriculum by instituting classes in musical interpretation, orchestration, history and analysis, thorough-bass, score reading, and advanced counter-point and composition. Tovey also established and conducted the Reid Orchestra and organised an annual series of concerts. His musical compositions were in many forms including chamber music, symphony, grand opera and concerto, and probably the most famous was his opera The bride of Dionysus produced in Edinburgh in 1929. His literary publications include the six volumes of Essays in musical analysis (1935-1939), and A musician talks (1941). Tovey was knighted in 1935. Sir Donald Francis Tovey died on 10 July 1940.
Found in 9 Collections and/or Records:
Letter to Fritz Busch from Sir Donald Francis Tovey, 03 October 1937
Letter, 3 November 1937, Edinburgh, Sir Donald Francis Tovey to Fritz Busch. Requesting that Fritz Busch let Sir Donald Francis Tovey know when Sir Donald Francis Tovey's packet of B- minor mass continuo for organ arrives, and notes on the continuo. Typescript copy.
Letter to Mary Gardner Grierson from Sir Donald Francis Tovey, 06 May 1919
Letter, 6 May 1919, Edinburgh, Donald Tovey to Mary Grierson. Requesting that Grierson send Tovey a score, so he can copy the bassoon part. Holograph signed.
Letter to Mary Gardner Grierson from Sir Donald Franics Tovey, c1900
Letter, [n.d], Edinburgh, Donald Tovey to Mary Grierson. Note informing of Tovey's finding an oboe part. Holograph signed.
Letter to Mary Gardner Grierson from Sir Donald Franics Tovey, c1915
Letter, [n.d], Edinburgh, Donald Tovey to Mary Grierson. Advice for orchestrating a concert. Holograph signed.
Letter to Sir Donald Francis Tovey from Carl Deis, 13 October 1925
Letter, 13 October 1925, New York, Carl Deis to Donald Tovey. Arranging a meeting to go over Tovey's Opus 8. Holograph signed.
Letter to Sir Donald Francis Tovey from F. W. Deas, 16 January 1927
Letter, 16 January 1927, Edinburgh, F. W. Deas to Donald Tovey. Questioning Tovey on the balance of tone between piano and strings in the time of Haydn and how accurately is the sound the classical masters created emulated. Holograph signed.
Letter to Sir Donald Francis Tovey from Helen Hopekirk, 16 October 1919
Letter, 16 October 1919, Edinburgh, Helen Hopekirk to Donald Tovey. Informing Tovey that Hopekirk will return music scores and discussion of music in Edinburgh. Holograph signed.
Letter to Sir Donald Francis Tovey from Keith [Faeker], 06 March 1931
Letter, 6 March 1931, Edinburgh, Keith [Faeker] to Donald Tovey. Thanking Tovey for sending a note of encouragement before a performance and praising Tovey's arrangements. Holograph signed.
Letter to Sir Granville Ransome Bantock from Sir Donald Francis Tovey, 1924
Letter, [1924], Edinburgh, Sir Donald Francis Tovey to Sir Granville Bantock. Request for a signature and discussing a new volume of Bach. Holograph signed.