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Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)

 Person

Dates

  • Existence: 1875 - 1940

Biography

Donald Francis Tovey was born at Eton on 17 July 1875. His father was an Assistant Master at Eton College. He was educated privately by the music and general teacher Miss Sophie Weisse (1851-1945) and later on studied under Sir Walter Parratt (1841-1924) and Sir C. H. Parry (1848-1918). Tovey then won a music scholarship to Balliol College, Oxford, graduating with a BA, Classical honours, in 1898. As a pianist, a series of chamber music concerts followed in London, Berlin and Vienna where he played with Halle, Joachim, Hausmann, Casals, and other artists. He also composed. In 1914 he was appointed to the Reid Chair of Music at Edinburgh University in succession to Professor Niecks (1845-1924). As Professor he broadened the music curriculum by instituting classes in musical interpretation, orchestration, history and analysis, thorough-bass, score reading, and advanced counter-point and composition. Tovey also established and conducted the Reid Orchestra and organised an annual series of concerts. His musical compositions were in many forms including chamber music, symphony, grand opera and concerto, and probably the most famous was his opera The bride of Dionysus produced in Edinburgh in 1929. His literary publications include the six volumes of Essays in musical analysis (1935-1939), and A musician talks (1941). Tovey was knighted in 1935. Sir Donald Francis Tovey died on 10 July 1940.

Found in 2 Collections and/or Records:

Letter to Sir Donald Francis Tovey from 'A. Student', 12 March 1923

 Item
Identifier: Coll-411/1/1/L1731
Scope and Contents

Letter, 12 March 1923, Edinburgh, 'A. Student' to Donald Tovey. Thanking Tovey for his Bach lectures and requesting that they be continued. Holograph signed.

Dates: 12 March 1923

Letter to Sir Donald Francis Tovey from F. W. Deas, 16 January 1927

 Item
Identifier: Coll-411/1/1/L1062
Scope and Contents

Letter, 16 January 1927, Edinburgh, F. W. Deas to Donald Tovey. Questioning Tovey on the balance of tone between piano and strings in the time of Haydn and how accurately is the sound the classical masters created emulated. Holograph signed.

Dates: 16 January 1927