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Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)

 Person

Dates

  • Existence: 1875 - 1940

Biography

Donald Francis Tovey was born at Eton on 17 July 1875. His father was an Assistant Master at Eton College. He was educated privately by the music and general teacher Miss Sophie Weisse (1851-1945) and later on studied under Sir Walter Parratt (1841-1924) and Sir C. H. Parry (1848-1918). Tovey then won a music scholarship to Balliol College, Oxford, graduating with a BA, Classical honours, in 1898. As a pianist, a series of chamber music concerts followed in London, Berlin and Vienna where he played with Halle, Joachim, Hausmann, Casals, and other artists. He also composed. In 1914 he was appointed to the Reid Chair of Music at Edinburgh University in succession to Professor Niecks (1845-1924). As Professor he broadened the music curriculum by instituting classes in musical interpretation, orchestration, history and analysis, thorough-bass, score reading, and advanced counter-point and composition. Tovey also established and conducted the Reid Orchestra and organised an annual series of concerts. His musical compositions were in many forms including chamber music, symphony, grand opera and concerto, and probably the most famous was his opera The bride of Dionysus produced in Edinburgh in 1929. His literary publications include the six volumes of Essays in musical analysis (1935-1939), and A musician talks (1941). Tovey was knighted in 1935. Sir Donald Francis Tovey died on 10 July 1940.

Found in 5 Collections and/or Records:

Letter to Messrs. Paterson from The Hispanic Society of America, 11 April 1922

 Item
Identifier: Coll-411/1/1/L2476
Scope and Contents

Letter, 11 April 1922, London, The Hispanic Society of America to Messrs. Paterson, Sons & Co.. Requesting a copy of Tovey's ' Beethoven's Ninth Symphony: An essay in musical analysis', and enquiring after Tovey's previous essays. Typescript.

Dates: 11 April 1922

Letter to Robert Calverley Trevelyan from Norman Peterkin, 28 November 1945

 Item
Identifier: Coll-411/1/1/L2396
Scope and Contents

Letter, 28 November 1945, London, Norman Peterkin to Robert Trevelyan. Expressing Hubert Foss's worries about printing Tovey's essay, 'Music in German Culture', 1914, because of its views on the war and Nazism. Typescript signed.

Dates: 28 November 1945

Letter to Sir Donald Francis Tovey from Arnold Schering, 11 March 1925

 Item
Identifier: Coll-411/1/1/L1635
Scope and Contents

Letter, 11 March 1925, Halle, Arnold Schering to Donald Tovey. Requesting a copy of Tovey's new edition of Bach's 'well tempered piano' for inclusion in the Bach yearbook which Shering publishes. Holograph signed.

Dates: 11 March 1925

Letter to Sir Donald Francis Tovey from [Hermann], 13 October 1922

 Item
Identifier: Coll-411/1/1/L1990
Scope and Contents

Letter, 13 October 1922, Stuttgart, [Hermann] to Donald Tovey. Thanking Tovey for sending a book, discussing plans to publish a book in German and English, reviewing Tovey's Euryanthe. Typescript, signed in pencil.

Dates: 13 October 1922

Letter to Sir Donald Francis Tovey from Paul Wittgenstein, 14 January 1935

 Item
Identifier: Coll-411/1/1/L1951
Scope and Contents

Letter, 14 January 1935, Paul Wittgenstein to Donald Tovey. Thanking Tovey for sending some of his publications, comments on the new Schmidt concerto. Holograph signed.

Dates: 14 January 1935