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Tovey, Sir Donald Francis, 1875-1940 (Reid Professor of Music, University of Edinburgh)

 Person

Dates

  • Existence: 1875 - 1940

Biography

Donald Francis Tovey was born at Eton on 17 July 1875. His father was an Assistant Master at Eton College. He was educated privately by the music and general teacher Miss Sophie Weisse (1851-1945) and later on studied under Sir Walter Parratt (1841-1924) and Sir C. H. Parry (1848-1918). Tovey then won a music scholarship to Balliol College, Oxford, graduating with a BA, Classical honours, in 1898. As a pianist, a series of chamber music concerts followed in London, Berlin and Vienna where he played with Halle, Joachim, Hausmann, Casals, and other artists. He also composed. In 1914 he was appointed to the Reid Chair of Music at Edinburgh University in succession to Professor Niecks (1845-1924). As Professor he broadened the music curriculum by instituting classes in musical interpretation, orchestration, history and analysis, thorough-bass, score reading, and advanced counter-point and composition. Tovey also established and conducted the Reid Orchestra and organised an annual series of concerts. His musical compositions were in many forms including chamber music, symphony, grand opera and concerto, and probably the most famous was his opera The bride of Dionysus produced in Edinburgh in 1929. His literary publications include the six volumes of Essays in musical analysis (1935-1939), and A musician talks (1941). Tovey was knighted in 1935. Sir Donald Francis Tovey died on 10 July 1940.

Found in 18 Collections and/or Records:

Letter to Sir Donald Francis Tovey from Charles Sandord Terry, c 12 April 1920

 Item
Identifier: Coll-411/1/1/L1776
Scope and Contents

Letter, 12 April [n.y], Pitfodels, Charles Terry to Donald Tovey. A message for Tovey from Mandyczewski, and news of the progress of a volume by Tovey. Holograph signed.

Dates: c 12 April 1920

Letter to Sir Donald Francis Tovey from Charles Sanford Terry, c 07 March 1920

 Item
Identifier: Coll-411/1/1/L1775
Scope and Contents

Letter, 7 March [n.y], Pitfodels, Charles Terry to Donald Tovey. Details of progress in the editing of a work by Tovey. Holograph signed.

Dates: c 07 March 1920

Letter to Sir Donald Francis Tovey from [Hermann], 13 October 1922

 Item
Identifier: Coll-411/1/1/L1990
Scope and Contents

Letter, 13 October 1922, Stuttgart, [Hermann] to Donald Tovey. Thanking Tovey for sending a book, discussing plans to publish a book in German and English, reviewing Tovey's Euryanthe. Typescript, signed in pencil.

Dates: 13 October 1922

Letter to Sir Donald Francis Tovey from Mathew Shirlaw, 21 March 1923

 Item
Identifier: Coll-411/1/1/L1681
Scope and Contents

Letter, 21 March 1923, Edinburgh, M. Shirlaw to Donald Tovey. Asking Tovey's opinion on Bailment's book on counterpoint. Holograph signed.

Dates: 21 March 1923

Letter to Sir Donald Francis Tovey from Norma Dalziel, 26 March 1952

 Item
Identifier: Coll-411/1/1/L2110
Scope and Contents

Letter, 26 March 1952, Perthshire, Norma Dalziel to Donald Tovey. Praising Grierson's biography on Tovey. Holograph signed, with stamped envelope.

Dates: 26 March 1952

Letter to Sir Donald Francis Tovey from Paul Wittgenstein, 14 January 1935

 Item
Identifier: Coll-411/1/1/L1951
Scope and Contents

Letter, 14 January 1935, Paul Wittgenstein to Donald Tovey. Thanking Tovey for sending some of his publications, comments on the new Schmidt concerto. Holograph signed.

Dates: 14 January 1935

Letter to Sir Donald Francis Tovey from Pitts Sanborn, 02 November 1937

 Item
Identifier: Coll-411/1/1/L1627
Scope and Contents

Letter, 2 November 1937, New York, Pitts Sanbon to Donald Tovey. News of Sanbon's latest book, ' The Metropolitan book of the opera ' and an acknowledgement of Tovey's book ' Essay's in musical analyses'. Holograph signed.

Dates: 02 November 1937

Letter to Sophie Weisse from William Strecker, 30 January 1912

 Item
Identifier: Coll-411/1/1/L2491
Scope and Contents

Letter, 30 January 1912, London, William Strecker to Sophie Weisse. Advising Miss. Weisse to inform Tovey that she is paying for his works to be published, discussing copyright fee and explaining that the Tovey's works were published because of their artistic merit rather than a business point of view. Typescript signed.

Dates: 30 January 1912