Illuminated manuscripts
Found in 211 Collections and/or Records:
بهجته العالم Bahjat al-‘ālam, undated (original text compiled 18th cent. C.E.)
A copy of a work on general geography by Ḥakīm Mahārat-Khān Iṣfahānī, who completed it some time after 1124 A.H. (1712 C.E). The work is principally based upon the geographical and biographical encyclopaedia Haft-Iqlīm by Amīn Aḥmad Rāzī (compiled 16th cent. C.E.).
Frontispieces illuminated with gold.
بهوپال شاستر Bhūpāl shāstra, undated
بوستان و گلستان با تصویر Būstān va Gulistān (bā taṣvīr), undated copy (original text composed 13th cent. C.E.)
تأريخ شمشير خانی Tā'rīkh-i shamshīr-khānī, 1090 A.H., 1679 C.E.
This is a copy of an abridgement of the Shāh-nāmah of Firdawsī, compiled with a connecting narrative in prose by Tawakkul Beg, son of Tūlāk Beg al-Ḥasanī. The history begins with the reign of Gayūmars̱, and is brought down to the Sāsānians, descendants of Ardashīr-Bābagān.
Illuminated frontispieces.
تاريخ گزيده Ta'rīkh-i Guzīdah, 993 A.H., 1584 C.E.
A general history from the earliest times to 730 A.H. (1329 C.E.), the year, as it is stated in the preface, when it was compiled by Ḥamd-allāh b. 'Abī Bakr b. Aḥmad b. Naṣr Mustaufī Qazwīnī (d. 750 A.H., 1349 C.E.), and the present name, meaning "the select history" was given to it.
The first two pages and the frontispiece are richly illuminated; gold-lined throughout.
تاریخ احمدشاهی Tārīkh-i Aḥmadshāhī, undated (c. 1200 A.H. / 1800 C.E.)
تاریخ عالم آرای عباسی Tarīkh-i ʻālam ārā-yi ʻAbbāsī, 1064 A.H., 1653 C.E.
تحفة الملوک Tuḥfat al-Mulūk, undated copy (original text composed 11th cent. C.E.)
The work is a short treatise intended for the instruction of princes and rulers, and consists of forty chapters, each containing four different pieces of advice. The author, whose name in this instance is not mentioned, was 'Abd-allāh Muḥammad al-Anṣarī of Herat (d. 481 A.H., 1088 C.E.). From the preface it would appear that the work is a compilation of the wise sayings of old philosophers and statesmen.
تصاوير Taṣāwīr, undated
تصویرات راگ مالا Taṣvīrāt-i Rāg-mālā, undated
Music: An album illuminated by thirty-four groups of figures in gouache painting in a variety of colours, attitudes, and surroundings, representing conventional symbols of Rāgs and Rāginīs (the well-known personifications of Indian pitches).
