Photographs
Found in 390 Collections and/or Records:
Lansbury Comprehensive Development Area: Lansbury Market Square model (2), 1940s
6 black and white photographic prints (12cm x 16cm) showing the Market Square scheme for Lansbury Neighbourhood, part of the London County Council Comprehensive Development Area no 2: Stepney / Poplar, designed by Sir Frederick Ernest Gibberd. 1 photograph shows the architectural model commissioned by the Town Planning Division of London County Council Architect's Department. at 1/16" scale. The remainder of the photographs show the realised market square and some housing in the area.
Lansbury Comprehensive Development Area: Lansbury model of stage 1, 1940s
10 black and white photographic prints (16cm x 21cm) showing an architectural model by the Town Planning Division of London County Council Architect's Department. The model shows stage 1 of the reconstruction scheme for Lansbury Neighbourhood, part of the London County Council Comprehensive Development Area no 2: Stepney / Poplar at 1/32" scale. This is the area which comprised the "Live Architecture" Exhibition for the Festival of Britain in 1951.
Lansbury Neighbourhood: photographs, 1940s
Letter from Daniel Cunningham to James Geikie, describing a trip to Egypt, 1909
Letter from Daniel Cunningham to James Geikie, decribing a trip to Egypt (taken in the hope it would restore his health) and enclosing 4 photographs of himself at the pyramids.
Letter from John Macmurray to Miss How, and photograph of Macmurray walking with an unidentified individual, 17 July 1933
This file contains a letter dated 17 July 1933 written by John Macmurray from University College, London to a Miss How (Joyce Roberts, nee How) saying he was unable to address the S.C.M at Bedford College, and signed by him. S.C.M possibly stands for 'Student Christian movement'. There is also a photo of Macmurray walking with an unknown individual.
Letter (incomplete) to James Cossar Ewart from unknown author, 14 May 1899
The letter's author is a former pupil and assistant demonstrator of Ewart's (from around 1891), working in Africa as a government medical officer. He writes that he is sending Ewart the skins of two zebra mares which he has shot, and offers to try and get more skins, and to take photographs of various game.
The latter part of the letter, with author signature, is not present.
Letter to Edith F. Ewart from Percival ('Percy') Herbert Portsmouth, with enclosed photograph, 07 April 1927
Portsmouth writes that he is sorry that the Ewarts could not come to see the sculpture entitled 'Vision' at the Edinburgh College of Art, but he encloses a photograph of the work.
Letter to James Cossar Ewart from Albert Sherbourne Le Souef, 26 May 1930
Le Souef asks Ewart to procure some photographs of hybrid 'Psoa' sheep and a typical sample of wool from Gillespie. Some pastoralists have expressed an interest in the wool from these sheep as it may make a better tweed-like cloth when mixed with Merino. He reports that he has worked out a scheme which he hopes will lead to the production of many quality skins from colder districts.
Letter to James Cossar Ewart from Aldred F. Barker, 21 September 1921
Barker writes that he finds it impossible to get up to Scotland. He hopes that the Research Association is getting good photographs of the parent sheep to contrast with the crossbred sheep, as well as samples of wool illustrating the rate of growth.
Letter to James Cossar Ewart from Alexander Theodore Gordon, 12 January 1905
Gordon encloses three copies of a photograph of a mule mare and foal taken in the Zoo at Pretoria. He confirms that the mare was a mule and that the foal was not a horse foal.