Portraits
Found in 43 Collections and/or Records:
Framed portrait of Charles H. Stewart, Secretary to the University, after 1978
One framed black-and-white portrait of Charles H. Stewart, Secretary to the University 1948-1978.
Henry Wallace, Editor of Wallaces' Farmer, 1870s-1930s
Portrait photograph of Henry Wallace, the editor of Wallaces' Farmer, sitting in a chair with papers in his lap in the late 19th or early 20th century.
Ken Tweedie, 1870s-1930s
Photograph of Ken Tweedie posed on a tree branch looking at his reflection in the water in the early 20th century.
Laycock, Thomas. Professor. Portrait.
C.D.V. Photograph on carte by John Moffat, Edinburgh.
Letter to David Foggie from Hubert James Foss, 26 November 1941
Letter, 26 November 1941, Edinburgh, Hubert Foss to David Foggie. Informing Foss of the existence of a chalk drawing of Tovey made by Foggie. Holograph signed, written on paper headed, Royal Scottish Academy.
Letter to Dr Mary Gardner Grierson from Morris Meredith Williams, 04 March 1952
Letter, 4 March 1952, Devon, M. Meredith Williams to Mary Grierson. Informing Grierson of an oil painting by Meredith Williams of Tovey at a piano, and asking Grierson if she knows of a worthy institution that might like to acquire the work. Holograph signed.
Letter to Hubert James Foss from Morris Meredith Williams, 26 May 1942
Letter, 26 May 1942, Devon, M. Meredith Williams to Hubert Foss. Discussing Meredith Williams paintings and sketches of Tovey. Holograph signed.
Letter to [Hubert James Foss] from Sir William Rothenstein, 18 January 1942
Letter, 18 January 1942, William Rothenstein to [Hubert Foss]. Reminiscences of Tovey and informing Foss that Rothenstein made two drawings of Tovey. Holograph signed.
Letter to James Cossar Ewart from Elliott and Fry, 10 June 1904
Elliott and Fry invite Ewart to make an appointment with a photographer for his portrait, to appear in their Publishing Series.
Letter to James Cossar Ewart from James Ritchie, 10 June 1931
Ritchie wonders if Ewart's research on plumage could be furthered by examining the succession of plumage in, for instance, a diving duck such as the Eider, as it is near enough to the mallard to promise results but not near enough to suggest identity of development. He then requests a copy of Ewart's portrait to hang in his office at Aberdeen University 'to commemorate your holding of the Aberdeen Chair'.